
Scene 1. The Room. Jean Paul Sartre's 1944 play No Exitdepicts anafterlife where three people sentenced to Hell find themselves locked in a room together. Each of them wait and wonder how they will be tortured...until after some great length of time, they come to find that they are there to torture one another. Forever. The reader might be expected to come away with a perverse view of humanity; that is, the idea that"L'enfer, c'est les autres" or "Hell is other people" after being a voyeur of the unfolding relationship of the three. Kirk Woodward writes that the three are in hell because they are trivial, pretentious people. This is Sartre’s satiric point: they are in Hell because they are petty-bourgeois. Their concern for the world goes only as far as the extent to which the world services their needs. When it doesn’t adequately cater to their desires, they blame the world and the people in it – that is, they say that “Hell is other people.”
Scene 2. The Commonwealth. In writing about the British commonwealth, theeconomist William Forster Lloyd well described a phenomenon wherebyindividuals acting independently and rationally according to their ownself-interest behave contrary to the best interests of the whole by depleting some common resource. Over a hundred years later, the ecologist Garrett Hardinpopularized the term"Tragedy of the Commons" in a 1968 essay of the same name. One may be tempted to look at the spoiled resourceas the lone tragedy, but it's not.
Scene 3. Cardiac Ridge, Big Cottonwood Canyon. The camera pans around from Little Superior to a single skier skinning up the far north edge of the slope whosoon gains the saddle keyhole and looksinto Mineral Fork's Room of Doom. He rips hisskins and skis the 1200' fall line back into Cardiff. He puts hisskins back on and heads back up for another lap. And another. He waits for a moment at the top of the fourth run. Soon, other ski tourersarrive, skin half-way up the track and cut across the slope beneath the man waiting at the top. Snowmobilers arrive from Reynolds Flat to check out their private land in the upper reaches of the drainage. The heli-skihelicopter loaded with clients lands atop High Ivory just to the north. More ski-tourers arrive, havingjust skiied the Hallway couloir from the ridgeline to the east. A backcountry ski guide directs herclient down the left chute of Superior into Cardiac Bowl.
There is No Exit. We are all here together in the Wasatch for the long run. What will be its future? What will be our mindset?
photo credit: Jim Harris
Comments